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Articles tagged with: 3D Cinema

Dangerous Ishq 3D review. Bollywood goes native on S3D
Sunday, 13 May, 2012 – 19:12 | No Comment
Dangerous Ishq 3D review. Bollywood goes native on S3D

Stereoscopic detailing with native capture in 3D.
Dangerous Ishq is not the first Bollywood 3D movie to be shot in native 3D (versus a post conversion). That honor goes to Haunted 3D, directed by the same …

A Stereoscopic 3D Video Village with Sony’s HMZ-T1 Visor on Film Sets
Tuesday, 24 Apr, 2012 – 10:10 | No Comment
A Stereoscopic 3D Video Village with Sony’s HMZ-T1 Visor on Film Sets

Personal 3D preview for Film Crews from Sony?
How many of us in 3D film-making can identify with this familiar scenario:
A 46 inch 3D monitor on-location at a film set, with the Director and DP peering a few …

Screenwriting for Stereoscopic 3D Films.
Thursday, 22 Mar, 2012 – 5:55 | One Comment
Screenwriting for Stereoscopic 3D Films.

ScreenWriting for 3D films: A Broken Concept?
Is there such a thing as writing a screen play for Stereoscopic 3D films? While it may sound intriguing when announcing “I’m writing my next epic in 3D”, should …

John Carter: Stereoscopic 3D Conversions’ “Uncanny Valley”
Thursday, 8 Mar, 2012 – 18:45 | 4 Comments
John Carter: Stereoscopic 3D Conversions’ “Uncanny Valley”

2D to 3D conversion’s Uncanny Valley:
No we are not talking about Princess Dejah’s 2d to 3d converted cleavage here…so what is the “Uncanny Valley“? Wikipedia does a good job of describing it.
I went to see …

Manuscript on 3D by K Ramachandra Babu.
Tuesday, 31 Jan, 2012 – 20:18 | No Comment
Manuscript on 3D by K Ramachandra Babu.

**Edit: If you arrived via Google, the book “THINK in 3D: Food for Thought for Directors, Cinematographers & Stereographers”, is to the right of this page.**

(click on the image to download the PDF file)
The Real …

Hugo: Deep Staging and Keyframing comes to 3D movies
Monday, 2 Jan, 2012 – 12:32 | 2 Comments
Hugo: Deep Staging and Keyframing comes to 3D movies

Key Framing v/s Montage Cinematography in 3D:
Hugo the movie, is a case study in how stereoscopic 3D can and should be used as a new medium of visual storytelling. I finally got a chance to …

Stereoscopic 3D Quality Check (QC) and Supervisory Services from Real Vision.
Tuesday, 1 Nov, 2011 – 16:26 | No Comment
Stereoscopic 3D Quality Check (QC) and Supervisory Services from Real Vision.

3D Movie Supervisory Services from Real Vision:
With more media being produced in Stereoscopic 3D today, than ever before, there is a big demand for Stereoscopic Quality Control for these productions. Everything from 30 second AD …

Bollywood 3D movie making coming of age: Ra.One
Wednesday, 26 Oct, 2011 – 17:09 | No Comment
Bollywood 3D movie making coming of age: Ra.One

Bollywood Stereoscopic 3D Spectacle: Ra.One:
After playing the wait and watch game for a while, Bollywood seems to have taken the plunge into Stereoscopic 3D movie-making. The credit for the first (in this 3D renaissance era) …

HD and 3D-Digital Broadcasting Conference, Tallinn, Estonia
Sunday, 28 Aug, 2011 – 9:38 | No Comment
HD and 3D-Digital Broadcasting Conference, Tallinn, Estonia

Being Digital – Levira’s 4th Digital Broadcasting Conference  2011.
With the deadline of 2012 for Analog Switch off (ASO) fast approaching, Levira’s 4th Digital Broadcasting Conference attracted a large number of delegates to Tallinn, Estonia.
An interesting …

Understanding the use of Stereo 3D in movies: Geography, Emotion and Dwell time.
Tuesday, 21 Jun, 2011 – 15:22 | No Comment
Understanding the use of Stereo 3D in movies: Geography, Emotion and Dwell time.

(image Credit: Pirates of the Carribean IV. click for larger 3D image)
Establishing Scene Geography and using “Dwell time”.
Are there any memorable scenes that we can recall with photographic clarity from the slew of 3D movies …

ETO (eye time out) and SAT (senses accommodation time) in 3D movies
Friday, 27 May, 2011 – 9:17 | No Comment
ETO (eye time out) and SAT (senses accommodation time) in 3D movies

(photo: nerdjunkies.com)
3D Movie Hurt Index:
While the entire movie industry comes to terms with using the medium of stereoscopic 3D as a new means of visual storytelling, the “beta testers”, i.e the audiences, are the ones …


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